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Book Review of A Villa in Sicily: Olive Oil and Murder (A Cats and Dog… 

By  amphibianauthors

A Villa in Sicily: Olive Oil and Murder (A Cats and Dogs Mystery)

There’s something undeniably captivating about the notion of a fresh start in a beautiful, sun-drenched locale—especially when that locale is the enchanting island of Sicily. That allure drew me to A Villa in Sicily: Olive Oil and Murder, the first in a cozy mystery series by Cynthia L. H. Smith. I found myself dreaming of quaint villages, olive groves, and endless cups of espresso, all while diving into a story that promised charm—and a sprinkle of intrigue.

The narrative kicks off with Audrey Smart, a veterinarian thrust into a whirlwind of change after a rather disastrous family reunion and a rather unceremonious resignation from her job. Her situation changes dramatically after a chat with her sister leads her to take a leap of faith, purchasing a decrepit villa for just a dollar—too good to be true, right? As she embarks on this adventure, I could feel my own excitement bubble up, picturing the thrill of starting anew. However, I must admit, Audrey’s transition from a life of heartache to becoming a DIY aficionado felt a bit rushed. I often found myself wondering how she juggled significant cultural and language barriers with such ease.

As I read on, I had to give myself a little pep talk. Sure, Audrey’s immediate success in transforming her dilapidated villa might stretch the bounds of reality, yet who wouldn’t want to escape to a picturesque Sicilian retreat? The book does an exceptional job of painting this dreamy landscape while peppering in some cringe-worthy DIY mishaps. Audrey’s determination to make her new space feel like home resonated with me on a personal level; after all, we all yearn for that sanctuary of comfort.

While the majority of the narrative revolves around character-building and world-defining moments, the mystery takes a backseat until near the end. It felt a bit crammed, almost like an afterthought, which was a tad disappointing, especially given the book’s potential. However, budding romantic ties and the warmth of small-town dynamics hinted at an exciting series ahead.

I also want to take a moment to appreciate Sarah Kempton, the narrator. This was my first experience with her voice, and I found her range impressive and charming. Yet I was perplexed by her distinctly British tone, which sometimes felt at odds with the American character orientations—definitely a distraction, but not enough to dampen my enthusiasm.

To sum it up, A Villa in Sicily is perfect for readers who enjoy cozy mysteries sprinkled with humor, charming locations, and a heartwarming exploration of reinvention. While it has its flaws—from pacing to narration choices—it left me curious about Audrey’s next escapades. I found myself longing for another visit—one where mysteries unfold at a more deliberate pace, allowing all the vibrant elements of Sicilian life to shine.

Ultimately, this book was more than just a story; it was an invitation to dream about what it means to embrace change and find beauty amidst chaos. I can’t wait to delve deeper into Audrey’s world and uncover more of the mysteries that await. If you find yourself yearning for a book that stirs both your wanderlust and your love for whodunits, this might just be the adventure you’re looking for.

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